Wednesday 18 December 2013

3D Printing Fashion

Mary Huang


http://www.rhymeandreasoncreative.com/portfolio/index.php?project=continuum


"Designing interactions, fashion, and the future of stuff. Working with code and form."


With computational design there is the opportunity to not only create beautifully intricate forms, but to define a design according to its governing processes and user interactions. This project sought to mediate between the avant-garde and ready-to-wear, between individual users and a designer's vision. Could we use technology to democratize haute couture? Could we let people design their own dress, and still maintain a cohesive, recognizable design?

Computational couture captures this philosophy and applies it toward solving the persistent problem of standardized sizing in ready-to-wear. CONTINUUM is a concept for a web-based fashion label in which designs are user-generated using custom software and made to order to your personal measurements. Its seminal collection is a deconstruction of the classic little black dress. Software allows you to "draw" a dress and converts it into a 3D model

PBAI mimics human sensations in digital epiphyte chamber


 
PBAI mimics human sensations in digital epiphyte chamber
all images courtesy of philip beesley architect inc.
envisioned as an archipelago of interconnected halo-like masses, the ‘epiphyte chamber’ by canadian studio PBAI philip beesley architect inc. mimics human sensations through subtle, coordinated movements. conceived as an ‘epiphyte’, an aerial plant species that can grow without the support of soil, the immersive sculpture explores artificial intelligence, digital fabrication and interactive technologies to create a near-living environment. across each floating island, densely interwoven structures and delicate canopies made of thousands of lightweight components are drawn together in harmonious breathing and whispers. hovering fabric helps to frame the suspended pieces, lined with bulging, fluid-filled vessels and glands. the faunal groups contain metabolisms with chemicals, which move in response to slow reactions.

Tuesday 17 December 2013

Attaching Bags to Garments

Reinventing the bum bag?
 
http://www.stylebubble.co.uk/style_bubble/2007/02/i_want_to_wear_.html

Yohji Yamamoto and Mandarina Duck collaboration created a wearable bag, that can be worn and used as a seaerate bag.

Monday 16 December 2013

Fashion Designers Influenced by Microbiology

http://blog.myfdb.com/2011/07/textile-time-from-sour-milk-to-silk/



Anke Domaske has developed a method of turning sour milk into eco-friendly yarn which can then be made into fabric. Domaske explains, “milk is a wonderful, natural raw material. The special thing about milk is that is has a lovely silky feel. The fabric falls wonderfully, and it�s cheaper than silk.” The best part of her clothes, besides being good for the environment, are that they are actually fashionable. Considering silk is known for damaging the environment with pesticides and its fabric making process, to attain a similar feel with something as bountiful as sour milk is revolutionary. Her pieces start around $290, which is affordable for the eco-luxury market, but for the “I’m on a budget” market the cost feels a little steep. - See more at: http://blog.myfdb.com/2011/07/textile-time-from-sour-milk-to-silk/#sthash.AqqK6yQf.dpuf

http://www.coolhunting.com/style/fashion-x-technology-naim-josefi.php




Blending minimalism with a touch of whimsy, Swedish designer Naim Josefi has broken new ground on the runway. Drawing comparisons to icons like Alexander McQueen, Josefi has already established himself as a name synonymous with incredible innovation. Back in 2012, Josefi won an opportunity to showcase his collection at Mercedes Benz Fashion Week as a winner on fashion design reality show Project Runway, and has continued to inspire and amaze. Exhibiting an innate ability to stay one step ahead of the careening fashion curve, Josefi isn't afraid of experimenting with new materials and technology. Josefi collaborated with designer Johan Walden for his premiere collection, Wana, a collection of hand-jewelry with sensual and interwoven accents made out lace.

http://thilinah.tumblr.com/post/41105579983/microbiology-and-fashion-cytology-the-micro


 
Once a science student, now a fashion designer Ashish N Soni goes back to his roots to find the inspiration in his latest collection for “Wills Lifestyle India Fashion Week, Summer/Spring 2013”. His collection ‘Cytology - The Micro Lab’, brings out the appearance of human blood system in structured and commanding designs on articles of clothing. Various prints have been developed studying the structure and appearance of cells in the body and the patterns and marks that they create. The collection features outlines that are strong, powerful, reduced, sophisticated, yet severe.

Austrian Designer Imagines Clothing Created From Your Body’s Bacteria

http://flavorwire.com/46793/austrian-designer-imagines-clothing-created-from-your-bodys-bacteria
 

Austrian designer Sonja Bäumel recognizes the body bacteria as a fashion inspiration and is showing her “(In)visible Membranes: Life on the Human Body and Its Design Applications” project.

This body bacteria fashion is a mashup of her philosophy, science and imagination to reveal how bacteria on skin can be used to create clothing.
Or, in her own words,
“transformation of invisible skin bacteria on our living body to visible bacteria on a body-external medium.”
The "Crocheted Membrane" reveals how bacteria would grown to complete fiber layers that react to a body temperature and change as needed.
This fashion designer turned scientist for ten days during an internship at a lab in the Netherlands to learn if there was any science to support her concept.
“I got some very good results from my experiments,” she says. “One proved that there is a reaction of bacteria to textiles, but my research also showed me that it is a long way until finally reaching my goal.”

Friday 13 December 2013

The Future of death

http://www.theverge.com/2013/12/12/5204974/skyscraper-cemetery-design-in-norway

Sky Scraper Cemeteries

"


3D printing and live textiles

http://www.theverge.com/2013/12/11/5200814/designer-creates-3d-printed-regenerative-running-shoe

"
At the Wearable Futures conference, London designer and researcher Shamees Aden debuted a running shoe concept that will put your worn out kicks to shame. The shoes, which he's developing with University of Southern Denmark professor Martin Hanczyc, are 3D printed from a synthetic biological material that can repair itself overnight.
The running shoes are the product of Aden's study of protocells. The basic protocell molecules are not themselves alive, but can be combined to create living organisms. Mixing different protocells creates different properties, and allows them to be programmed to behave differently depending on heat, light, and pressure. The shoes' unique construction allows them to be 3D printed to the exact size of the user's foot, so they would fit like a second skin. While running, the shoes would react to pressure and movement, providing extra cushioning when needed.
"The cells have the capability to inflate and deflate and to respond to pressure," Aden tells Dezeen. "As you're running on different grounds and textures it's able to inflate or deflate depending on the pressure you put onto it and could help support you as a runner.""

Thursday 12 December 2013

PE Presentation Review










Were your aims / objectives clearly articulated visually and verbally? I explained well what process I was using to create my designs but may have been undecided when it came to what I was going to do with them next. I was advised to continue with fabrics and link it more with the life and death idea, for example using ethereal like and transparent fabrics to print on. And also looking at what you can further do with the accessories idea, or example attaching accessories to garments to contain ashes, or creating labels of memoires to the garments.
 
Did you include appropriate contextual references? Included relevant images that had been specifically picked out so they related to what I was talking about in my presentation but maybe needed more, which would be gained from more artist’s research so I could put artists between each process of my work so it linked better, and then I could have added more pictures of my own work. I could have also worked on the layout of the images more as they were a bit square and was not consistent throughout the slides, I could improve this by creating the images in Photoshop so I had a collage of my drawings and then put them in a slide.
 
How well did you explain your theme, idea or concept? Needed more thorough explanation of the wearing death idea. But it's still not a focused concept so it’s still quite open, just has an underlying theme. More practise of the presentation could have been beneficial as it didn’t quite flow, but nerves did make me forget some points at the beginning of the presentation.
 
Are your methods, techniques / lines of enquiry clear and challenging enough? Working outside of my usual process of taking photos and making them straight into a print, by creating more conceptual work. This involved more research and analysis, but also finding a way of translating my ideas into a visual print. I think I articulated quite well how I wanted to create more depth and dimension to my digital prints by using a range of media when I am drawing and then working into them after I have printed them.
 
How or will the project I am working on now relate to the next unit (Unit X)? I would possibly continue the idea and create flats of the printed garments or accessories into one or more collections.
 
Are you clear about the market or context of your work? Missed out mentioning a specific season being autumn winter if I was using wools or spring summer if I was using light and transparent fabrics, and the buyer profile = young fashionistas that aren't afraid to experiment and challenge to boundaries of fashion.
 

Wednesday 11 December 2013

Viable option for knitted stretch fabrics

http://www.knittingindustry.com/knitters-join-the-digital-print-revolution/




"Photo-realistic prints of New York street scenes differentiate New York swimwear brand Graffinis, founded by designer Paul Cartelli in 2007. Cartelli uses digital photography of the city's graffiti, neon signage, and other iconic images, rescaling them to work with the body. The images are digitally placed on nylon tricot to fit within the confines of swimwear pattern pieces, then cut and sewn. This means that only the fabric needed for the suit itself is printed, eliminating wasted ink and fabric. - See more at: http://www.knittingindustry.com/knitters-join-the-digital-print-revolution/#sthash.R6YV3szR.dpuf"

Rotorary printing is being overtaken by inket printing as it catches up on printing speeds.

"Miroglio Textiles, one of Europe's largest textile printers, features printed fine gauge knits in their Dream division; and incorporated digital printing into their production in Govone, Italy, several years ago. The company has recently invested in the Konica Minolta Nassenger PRO 1000, which can print 600 square metres/hour set at the standard resolution of 540 x 720 dpi, and up to 1000 square metres/hour at a lower resolution. Paolo Gramaglia, Miroglio Textile's business unit director, points out that "Digital technology will allow us to solve the impossible equation between standardization and customization by not only offering a beautiful collection, but by offering our clients the opportunity to have more customization." - See more at: http://www.knittingindustry.com/knitters-join-the-digital-print-revolution/#sthash.R6YV3szR.dpuf"

http://frontdoorsnews.com/2013/03/digital-print-fashion/

Development of contemporary digital print for fashion.

"
Developing over the last two decades, digital technology has enabled designers to create a new range of prints in bold, eye-catching colors and patterns, the likes of which were not possible even a few seasons ago.
Digital printing allows designers to rapidly reproduce and manipulate images and apply them to any textile. This revolutionary technology has significantly impacted designers’ ability to create customized designs."

Basso & Brooke

http://www.lustandfoundmag.com/article.php?articleid=17&category=Fashion




"Take one graphic artist, Bruno Basso and one fashion designer, Christopher Brooke, and you have one of the most influential fashion duos specialising in digital print, Basso & Brooke. After winning the Fashion Fringe Award with their 100% digitally printed collection, they have been independently showing at London Fashion Week since February 2005, gaining worldwide reputation from international press and stockists. Not content with being dubbed 'The Pixar of clothes', Basso & Brooke have translated their signature prints onto non fashion products, collaborating with Coca-Cola, Converse, Swarovski, L'Oreal Paris, Mac, Habitat, Lycra, and the British Council to name a few, propelling the label into a lifestyle brand. They've also been busy coaching budding print-makers in their one-day Fabulous Digital Power Print Workshop in December 2011, giving young designers a chance to make their own bespoke printed dress. Talk about dedication to their craft!"

Digitally Printed Saris

 
"Casual Digital printed sarees by Indian Designers,Girls like to drap sarees to much and they also look beautiful and traditional women's.Salwar Kameez are easy and comfortable clothing when compared with draping a Saree. But Sarees are often a great fascination for Indian Women, it can bring up the Ethnic look which you always desired for.and if you want change then these casual digital printed sarees are best option ,Embellished with Soft embroidery and Beads work on pallu.
Here designer used different type of technique in digital printing like Floral Digital Print,Abstract Digital Print,Faux Georgette Digital Print etc lets have a look on complete collection."

Amrei Hofstätter – Japan Inspired Digital Design

http://patternbank.com/amrei-hofstatter-japan-inspired-digital-design/




"Berlin based Artist/ Illustrater Amrei Hofstätter is a self admitted Origami obsessive. The Japanese paper art is evident in her work, adding the charateristic shapes and dimension. The idea of misbalance and imperfection serves as inspiration, and her interest in Freud’s idea of the ‘uncanny’ and the human psyche, fuel her desire to create a feeling of irritation within the viewer, evoking something inside they were not yet aware of. Patternbank loved fashion designer Manish Arora’s heavily embellished, futuristic collection Amrei collaborated with in A/W 11/12. Visit her website to see more."

Tuesday 10 December 2013

A microscopic view of a macroscopic world

http://lorishocketmd.com/electronmicroscopy/fuag37awd3a2p3lm7o6zbrlw0c78do

http://www.designboom.com/snapshots/venice_06/australia.html

australia - ‘micro macro city’
venue: pavilion at giardini
commissioner: lucy turnbull
http://architecture.com.au


micro macro city presents eight highly-specific portraits of 
australian urban conditions which together form a culmative 
and comparative representation of everyday australian 
metropolitan life. in parallel, tweleve architectural projects 
are presented that demonstarte a relationship to the issues 
raised by each condition.

the exhibition was categorized into the following themes:
shrinkage, expansion, interface overlap, absorbsion,
exchange, re-use and oversupply.

irregularly shaped tables are distributed through the 
exhibition space ecah displaying drawings, potographs 
and architectural models. each table contains a drawing 
of an aspect of the urban theme togetherwith images of 
the selected architectural project in a manner that enables 
visiors to the exhibition percieve and reflect upon their 
relationship. sometimes this relationship is quite direct,
in other instances it can be more provocative or speculative.


shrinkage:
a small rural town expericences poulation decline, 
brought about by technilogical transformations in agriculture. 
along with the disappearance of goverment agencies, financial services 
and the reduction in retail.the maintenance of community support structures 
for cultural, social and recreational activities is placed under threat.

a small botanical reserve survives in the main street, this small strip 
of civicpride endures becauseits compact size enables it to be maintained, 
despite the towns reduced circumstances. a vacant habedashery shop is 
rennovated to accomodate a gallery and a local artist in residence program.
’‘the international art space, kelleberrin, western australia’
despite its modesty its engagement with the community and outreach
internationally has had enourmous positive positve social and cultural 
reprecussions. careful management, which requires that artists work 
directly with the local community. amplifies the impact of the modest but 
highly effective architectural transformation.




Friday 6 December 2013

Swarovski Crystal Place Projects

http://swarovskicrystalpalace.tumblr.com/

""Guilherme Torres has brought to life the powerful but fragile beauty of Brazil’s endangered mangrove forests in a resonantly beautiful and inspiring work, continuing his design vision with Swarovski crystal". - Nadja Swarovski, Member of the Executive Board - See more at: http://swarovskicrystalpalace.tumblr.com/#sthash.648GSe38.dpuf"

Wednesday 4 December 2013

Monday 2 December 2013

Tokyofashion

Silver Issey Miyake Suit & Comme des Garcons Monochrome Look in Tokyo


Images by tokyofashion.com

Dazed and Confused - Reverie Sleep

http://www.dazeddigital.com/photography/article/17988/1/dreamweaver

Duo Synchrodog recreate dreams through photography. 




Portfolio research

Starting a new portfolio for work is daunting but this book really comprehensive and useful.